Kerri Mason: "Finally a dance mix! This uses more of the vocal but still has a dubby quality to it. Could hear it on the Body & Soul dancefloor. Love the conga break and the delicate keys. Has a lovely elegance to it."

Mantis Evar: "A nice mellow intro with swirling sounds that quickly jumps into an upbeat tempo introducing Mariah’s vocals that sits firmly on top. Very nice."

Kerri Mason: "Confidently straightforward, but the addition of those medieval-castle synth sounds give this a dreamy quality. I'm thinking of Mariah on a unicorn."

Mantis Evar: "I like how it starts with an almost whimsical melody, a theme which Ansane carries throughout. Kicking up the chorus’ with extra keys is nice and completing the build at the end with all instruments fading evenly was a nice touch."

Mark Sudack: "Would love to hear this in the club. It's exciting, it hits hard, it's got great energy. It's like a classic Mariah/Morales mix meets Daft Punk. Only suffers from the fact that the vocal is sped up a little too much."

Mantis Evar: "Riccardo's epic remix 'I’ll Be Rocking You Long Time' was one of the most creative mixes in my mind. With a nicely distorted guitar (shifting from plucking to chugging to bursting power chords) and live drumming all along, this song certainly did rock."

Mark Sudack: "I like it, it's basically a pop mix but the sounds they used are a little more hip-hop which keeps it edgy and hard. Kind of reminds me of a Cool & Dre track."

Mark Sudack: "I love the feel of this one. Yeah it's a little gimmicky, but it's still hot. I'm not mad at the rap section either, i think he's got a good voice that worked perfect for this remix. It reminds me of the Bad Boy Honey Remix that Puff did back in 97."

Kerri Mason: "Uptempo, melodic. Reminds me of hip-house-type remixes from the early '90s – like, yeah, Soul II Soul, and also Junior Vasquez's non-clubby mix of Chante Moore's "Straight Up" (there were two). Gets all the elements in there – sparing use of the kick, strings, synth, some acid in the bassline, big chords, horns. Great energy, lots of sunshine."

Mantis Evar: "What I really like about this mix is that it is original, creative, and really encapsulates what the Indaba Music community is all about. Showing the Indaba spirit, Scott (who is from Alabama) combined forces with other Indaba members Jussi Salminen (from Finland) and Lee Barry (from Chicago) and together they created this smooth, slow paced mix. Nice collaboration!"

Mark Sudack: "I love the approach here. We were actually thinking of doing a dancehall version of this song at one point. Dystinkt kept it real simple and clean, but sonically it still sounds really solid."