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World / Middle Eastern / Mediterranean music

For anyone interested in World fusion music with Middle Eastern/North African/Mediterranean influence.

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charles lamb wrote on August 2, 2009:

I just joined MIDEAST MED MUSIC. I am not sure where to begin. How do I get any one to listen to a song? I have a song in my studio under session 1 called: A SLAP TO THE FACE OF ISHMAEL. Can anyone go to my site and listen? Does it have to be in mp3 format? It's a Reggae song with a mideast flavor. I would like to see if anyone can add to it. Thanks, chuck


ELLADITSA D. wrote on July 11, 2009:

Can I try that at home? Can I use my snowball condensor and add a dynamic one underneath? Please elaborate on this.


Eric Oehler wrote on July 2, 2009:

If you're in a studio environment where you don't have to worry about feedback, a small-diaphragm condenser also works well as an overhead, with a dynamic mic underneath.

I agree with the previous poster that a double-mic'ed setup is really the way to go for recording. Goblet drums like dumbeks, djembes, zarbs and the like have such a wide tonal range and such a "directionality" that a single mic doesn't usually cut it.

Of course there are a zillion ways to do it, depending on the sound you want. 57's are the standard, but you can get a rounder, warmer tone out of a large diaphragm condenser or even a ribbon mic (provided it's slightly off-axis so as not to blow the ribbon apart) - but the transient respons on those isn't always the greatest. Small-d condensers tend to give you a sharper sound and faster transient response, but don't always get the full development of the dum.

Live, I use a sennheiser e604, which is similar in design to a 57 (but a lot smaller) clipped near the head - micing the bottom works too but I always got feedback problems on noisy stages doing that. Also, my music tends to be bassy anyway so adding a hefty dum to the mix would muddy things. I've heard that kickdrum mics work well in the bell end of a dumbek too.

57's are relatively cheap, so it won't hurt to pick up a couple, try a few things, and once you get some techniques that work for you, try swapping in a few different mics and see how the sound varies.


ELLADITSA D. wrote on May 10, 2009:

I'M SO GLAD THIS GROUP EXISTS, I FINALLY FOUND SOMETHING I REALLY ENJOY AND IS LIKE MY OWN. I GREW UP IN NEW YORK, BUT MY HEART, SOUL AND PASSIONS WERE OF ANOTHER WORLD, THE EASTERN WORLD, WHERE LOVE AND MUSIC COMBINED IS ENCHANTING TO THE SOUL AND YOU FEEL ITS EVERY BEAT. LETS MAKE MUSIC AND INFLUENCE THE REST OF THE WORLD
FROM GREECE TO THE MIDDLE EAST, LETS GO WEST AND BRING' EM ALL TO BELLY DANCE LOL : ) OPA!!!!!!!!!!!!!!

THANK YOU GOD ALMIGHTY // Session
YOU GUYS MAY LOVE THIS MUSIC. MY MUSICIAN DID THIS BUT I OWN ALL SONGS INCLUDING THE MUSIC TOO. I WROTE 3 OF THEM TWO ARE THE SAME MUSIC IN TWO LANGUAGES, AND THE INNOCENT LITTLE GIRLS TA AGNA TA KORITSAKIA, THE REFUGEE WAS WRITTEN BY A POLITICIAN IN GREECE,


Steve Charles wrote on April 27, 2009:

Hi people - I'm a vocalist/lyricist who is loving this site - would love to collaborate on a wide range of music - last sesion was "Do ja ja" one of Mike Blak sessions (Charlie Vocal Mix) check it out if interested or visit
http://www.myspace.com/stevecharles1
peae people Steve

On Indaba

 
Just Go // Published Song

hey all,
check out my latest mix, "Just Go" by Lucia D ft. Nate Galactic. free download at luciadmusic.com. let me know what you think.

Added by: Angel Miguel

 

 
Do I need a mix? // Blog Post

Added by: Angel Miguel

 
Nate Galactic // Blog Post

Added by: Angel Miguel

 
Nate Galactic // Blog Post

Added by: Angel Miguel