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Indablog
News, sessions, and oddities from the Indaba community.
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Blog Roll
  • Creative Commons
    If you want to know about IP law - this is the place. CC is defining the cutting edge of music licensing.
  • David Byrne Journal
    Stop making sense David Byrne. Seriously, you make too much sense to us - it's scary. When are you coming by to hang out?
  • Create Digital Music
    Fairly relevant to Indaba :)
  • Hypebot
    If you want to know what's happening in the new music world...
  • Wired Epicenter
    Wired + Music + Eliot = amazing
  • Underrated Magazine
    Our favorite NYC music-scene blog from our favorite CMJer.
  • StereoGum.com
    Super-hip music blog. A must for anyone serious about the NYC scene.
  • The Daily Swarm
    ll the news that fit to print ... about music, that is.
  • Idolator
    Gawker Media's music blog. Perfect if you like a little snark with your music news.
  • Lefsetz Letter
    In his own words - "First in music analysis"
Music Review

Tuesday May 19, 2009 at 11:11 AM

 The Cult of Green Day - by Vijith

A few weeks ago, I started to get involved in a technology project for a public radio station. I'm kind of a super-dork for mp3s, and I don't think I've owned more than a clock radio or so much as tuned it to an actual station since I got my first PC ten years or so ago, because its primary purpose was to wake me up, and jarring-beep-mode did a better job. Now I use iTunes Alarm for even that. As a result, I had to spend a lot of time thinking about why people still listen to the radio today before we could move forward.

I touched on one of the major reasons in a post from a few weeks back: the expertise of the DJs. Another, or so my pedestrian ass is often told, is that many people don't outfit their cars with MP3 hardware.  I recently discovered -- or, rather, rediscovered -- a third.

As you may already know, Green Day released their latest album on Friday. These days I often feel conflicted about my mid-90's run as a raving teenage alt-rock enthusiast, and I do my best to avoid following my one-time favorites into artistic and commercial oblivion. For example, I kept the faith with Live for far longer than I should have only to eventually realize that they were never going to get it together. I'm a little more cautious now.

But Dookie was close to gospel for me when I was in seventh grade, because it was one of the only albums I had which was consistently awesome enough to listen to all the way through on my old (mono!) portable cassette player. (See also: Smash.) I still didn't have a CD player at that point; I know it's hard to believe, but there was a time when I was what you might call a late adopter. Home stereo issues notwithstanding, though, I'm not alone here; this is a sentiment I've heard echoed by pretty much every kid within about five years of my own age who grew up in the suburbs. That album is definitely one of my generation's major shared cultural reference points.

Ordinarily, I'd still have been able to keep any potential enthusiasm at bay and instead spend my time with something hipper, artsier, or more intellectually rewarding. But man, the advance reviews for this thing were unbelievable. Four and a half stars from Rolling Stone. The Village Voice said it might be the greatest rock album of the last decade. It got the highest score to date in the Twitter music review project 1000 Times Yes.

I didn't have to try too hard to find a copy by legally dubious means before the release date, but for some reason I suppressed the urge to actually listen to it. I'm glad I did. Instead, I spent about a week listening to their old albums, catching up on all the parts of the back catalog I'd missed, and reading even more advance reviews to stoke my (OK, fine, I'll admit it) excitement.

The album was available for pre-order via the iTunes Music Store in the weeks leading up to its release, which led me to believe that it would actually be made available at midnight on the dot. I finished tangling with the last of the back catalog scraps at 11:59. I checked out the #greenday tag on Twitter a few moments later, and lo and behold, there was a huge spurt of activity. Finally, I had my green light to start listening, and for the first time in quite a while, clicking "Play" didn't feel quite so isolating.

I love the way listening has become so personalized recently, but the mechanics surrounding this album's release reminded me that "personal" is almost diametrically opposed to "social." I wonder if the next generation might lose their shared reference points into the little white earbuds, but I'll leave it at that, because better essays than this one have been already written about that possibility.

And as for the album? Totally a letdown, critics be damned -- it's overproduced, it's Autotuned to death, it's Green Day for My Chemical Romance fans, and it's not at all deserving of the escapade I tried to turn it into. But the escapade was still awesome in its own right, and totally invigorating; if the album didn't live up to the hype, maybe this time that's just because it was some seriously great hype.

Are Your Musical Tastes Diversified?

Tuesday April 28, 2009 at 08:00 AM

On Horizons and Driving Toward Them - by Vijith

I just returned to New York City after a weekend in the woods of North Carolina.  My travel plans involved riding along with a friend who, unbeknownst to me, was a die-hard, ain't-nothin-else-gonna-fly-on-my-radio country music fan; I got what I think must have been my biggest-ever monolithic dose of pop-country radio on the way out to our destination.  Then we did it again on the way back.

I've always maintained that "What kind of music do you listen to?" is an incredibly stupid question, and I usually groan in disgust and then launch into a philosophical discussion about musical aesthetics when asked (I once tried that in Spanish when it came up while I was studying abroad in Lima; it ended about as badly as you are probably imagining).  Still, even among younger audiences, who are quickly becoming more eclectic as listeners and mp3 hoarders/collectors than generations past now that they can get whatever they want for free, country singers, especially those who rank lower on the scale of cultural influence than the generally-indisputable legends like Cash and Hank Williams, have long been the butt of the ABC answer ("anything but country").  That's only slightly less idiotic, even if it's considerably more accepting, because the logic is still fundamentally flawed, somewhat akin to "Give me tired, your poor, your huddled masses yearning to breathe free, but no Mexicans."

Now, I'm not about to claim that even if iTunes could generate statistical pie charts -- and how cool would that be?  Seriously, somebody get on that -- that mine would be egalitarian little slices of every genre you might lob at me.  There was a phase of my life where I was myself guilty of the ABC; growing up as a brown-skinned kid in the South, I was always hesitant to invest myself in a musical space which is (let's face it) overwhelmingly associated with rednecks, and even a little on edge about the line between proud Americana and xenophobia.  Toby Keith, please remove your boot from my ass.

I even did my best to totally look past last year's Taylor Swift frenzy (my introduction to her music came in the form of that disastrous SNL appearance), but as I discovered this past weekend, Mark Chesnutt's "Come On In (The Whiskey's Fine)" is based on a sentiment I can certainly get behind, and Brad Paisley's "Then" has some of the best off-kilter guitar runs I've heard in years (probably since Mike Campbell's bit at the end of the 1999 Tom Petty track "Room At The Top," which is high praise indeed).  Radio DJ's, endangered breed though they may be, are usually obsessive, virtuoso, borderline-dysfunctional listeners, and a six-hour binge of their expertise after years of ignoring the field altogether was pretty eye-opening.  I spend an unreasonable amount of time fiddling with podcasts and playlists and such, but there's no way I'd have come across any of this stuff without letting someone else take the wheel, both literally and figuratively.

I learned two things this weekend: first, that hiking in shoes with no tread left on the sole is a bad idea, and second, that we should all go exploring a bit more as listeners.  It's a little depressing to think about how much awesome music I'm missing out on because I'm busy listening to things I think I'm more likely to enjoy.

You guys aren't helping.  Keep it up.