Tom Toyama
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- Skill Level:
- Professional
- Craft:
- musician, composer, arranger, orchestrator, producer
- Instruments:
- vibes, marimba, Percussion (All), shakuhachi, taiko, hammered dulcimer, computer (mac), Synthesizer (All), software, keyboard
- Genres:
- jazz (all), World Music, classical, improvisational, ethnic
- Influences:
- Bach, Mozart, Beethoven, Tchaikovsky, Brahms, Debussy, Maurice Ravel, Modest Mussorgsky, Paul Hindemith, Alban Berg, Stravinsky, Charlie Parker, John Coltrane, Miles Davis, Bill Evans, Wynton Kelly, Chick Corea, Gary Burton, Bobby Hutcherson, Milt Jackson, Lionel Hampton, Pat Metheny, Japanese traditional music, shakuhachi practice, Chinese traditional music, yang qin practice, Traditional music of India, Native American music, Indonesian traditional music, Tibetan traditional music
Honors & Awards:
Solo Jazz Vibe Mastery Clinic at International Assc. of Jazz Educators, NYC
FL Millennium Cultural Recognition Award
FL Individual Artist Fellowship in Jazz Composition
Broward Cultural Foundation, Brad Foster Fellowship - Music Composition
Performing Arts for Community & Education Music Artist Award
Indiana University George Gaber Award
Tom Toyama has performed with trumpeters Ira Sullivan, Claudio Roditi and Terrance Blanchard; saxophonists Paquito D'Rivera and Frank Wess; pianist Kenny Drew Jr.; guitarist/vocalist Amit Chatterjee; percussionists Mongo Santamaria, Robert Thomas Jr. and Joe Zeytoonian; bassists Edgar Meyer, Felix Pastorious, Don Coffman and Charnett Moffett; drummers Codaryl Moffett, Jonathan Joseph and Satoshi Takeshi.
Toyama earned a Bachelor of Music in Jazz Studies from Indiana University and a Master of Music in Jazz Performance from the University of Miami. He has also attended Berklee College of Music for jazz composition and the University of Hawaii for Asian music studies. Currently, he is completing his 2nd Masters in Studio Jazz Writing at the University of Miami. His private studies include jazz vibraphone from Ed Saindon and Dave Samuels; jazz improvisation from Dave Baker, Kenny Barron, Hal Galper, Barry Harris, Vince Maggio, and Randall Dollahan; jazz composition from Ron Miller, classical music composition from Dennis Kam, orchestration from John Van der Slice, jazz arranging from Jerry Gates, and jazz arranging, orchestration, jazz vocal arranging & studio engineering from from Gary Lindsay, choral writing from Robert Gower, & conducting from Thomas Sleeper. He studied classical percussion with George Gaber, Boston Symphony Orchestra percussionist Arthur Press, Richard Johnson, Thomas Stubbs, Richard Holmes, & Robert DeMello.
Tom Toyama has been featured at music festivals, performing arts centers, clubs and events such as International Association of Jazz Educators Conferences, Queen Elizabeth's visit to Miami; Summit of the Americas; Black Entertainment Television's Jazz Discovery, WLRN Public Television's Expressions & Art Street, the Percussive Arts Society International Conventions and music education association conventions.
In 2006, Tom presented his “Solo Jazz Vibraphone Mastery Clinic” at the International Association of Jazz Educators Conference in NYC, at the University of Illinois in Urbana at Indiana University in Bloomington, and at Indiana State University in Terre Haute. He also performed at the 13er Festival Internacional de Percusión in San Juan, Puerto Rico. In the Spring of 2007 and the Fall of 2008, he presented a jazz vibe master classes at the University of Miami.
Tom Toyama's approach to music comes from his Asian cultural heritage and training in Asian cultural art forms.
Toyama was born in Okinawa, Japan and raised in childhood in Okinawa and later years in Hawaii.
Throughout its history, the Ryukyu Kingdom of Islands (of which Okinawa is a part of) had influences from the cultures of countries that would trade with it. This includes Japan, China, Korea, Malaysia, Phillipines, and other Southeast Asian countries. However, even with the influx of foreign influences, Okinawans still developed languages, music and cultural traditions that are distinctly their own.
From his childhood in Okinawa, Japan, Toyama received kempo martial arts training from his Okinawan father. He later studied and practiced the Chinese martial arts of kung fu and taichi.
His Japanese mother took her son to traditional Okinawan music and dance performances. She taught him Okinawan and Japanese folk songs and exposed him to Okinawan and Japanese cultural music programs on radio and television.
She also brought her Tom to her flower arranging lessons where he observed her doing ikebana, the Japanese art of flower arranging. He would go to the Okinawa city of Naha with her to select and buy flowers. Upon returning home he would watch how his mother would, with care and focus, trim and place flowers within the space of the display.
From traditional Japanese music performances, he developed an interest in shakuhachi (Japanese vertical bamboo flute) and taiko Japanese drumming. Toyama later studied shakuhachi with Kyoto master Kurahashi Yoshio and taiko with Ishikura Takemasa. Toyama also plays Okinawan taiko.
Today, Toyama's Asian music experiences includes performing on vibraphone, taiko (drum), and shakuhachi with Japanese taiko master Takemasa Ishikura; on vibraphone with koto master Tamiko Asai, and in a live USA to Japan tele-conference on vibraphone with shakuhachi master Seizan Sakata.
Toyama's musical art form continues to be influenced by his Asian cultural heritage.
Upcoming performances include the premier of Tom Toyama's "Three Points Passage" at the 16th Festival Internacional de Percusión in San Juan, Puerto Rico in August 2009.
- How I Work:
Clients tell me what they specifically need me to do. I determine the minimum fee I need to make it worth my time and effort. Each project is different, so the cost depends on the type and amount of work.
- Experience:
Masters in Jazz Performance - Univ. of Miami
Almost completed 2nd Master of Music in Studio Jazz Writing - Univ. of Miami (need to complete my thesis)Bachelor of Music in Jazz Studies - Indiana Univ.
Capable of composing/arranging/orchestrating/recording/producing any style of music with any instrument or vocal style.
3 years - composing/arranging/orchestrating/conducting/recording for all instruments and vocals and ensembles at Univ. of Miami including:
vocal ensemble
symphony orchestra
concert band
jazz big band
rock band
percussion ensemble8 years experience with both Pro Tools 24 and LE systems.
- Equipment:
Digidesign Pro Tools 24
Digidesign M-Box Pro 2 LE system Pro Tools 8.Vintage hardware and samples and can sample.
- Payments:
- This user does not accept PayPal for session payment
Hi! Great stuff indeed! (marimba is my favorite instrument to play, and nearly my favorite to listen to). It seems that we both studied percussion at IU (I wasn't in jazz studies though). If you're around 40, we probably went to school together.
Tom, what's happening man? This is Dan Hoock. Remember me. I went to school with you in Miami.




Beautiful!