Jacek Sleszynski

28 // Male // Olsztyn, Poland  |   Member since June 11, 2007
Network Profile

Looking To



My Songs

From the first Lu-Lis' demo "Jeżeli".

Contribution:
all except vocals and lyrics
Tags:
ambient acoustic, microphone, vst, keyboard, experimental, effects, synthesizer, electric piano, drums, 91, 4/4, patient, weird, atonal, evolving

From Vincents' first demo.

Contribution:
all
Tags:
easy listening, acoustic rock, acoustic guitar, voice (baritone), keyboard

Lu-Lis' song.

Contribution:
all except vocals, lyrics and solo guitar
Tags:
acoustic jazz, soul blues, electric guitar, keyboard, voice

This is a song that comes form the Joseph Traynors' musical "The Phantom of The Opera".

Contribution:
all excepct lyrics
Tags:
industrial musical, voice (baritone), keyboard

From the first Lu-Lis' demo "Jeżeli".

Contribution:
all except vocals and lyrics
Tags:
indie pop, rhythm and blues (r&b), microphone, keyboard, vst, 4/4, electronic, mellow, ambient

From the CRUX "Cubephopbia" album.

Contribution:
all except lyrics
Tags:
electronic, alternative rock, microphone, electric guitar, keyboard, idm, voice (male), drum machine, A, Major, 122, 4/4, drone, soundscape, intense, distorted voice

From the CRUX "Cubephopbia" album.

Contribution:
all
Tags:
electroacoustic, microphone, acoustic guitar, keyboard, modern classical, experimental, electronic bass, drum machine, A, Minor, 132, 4/4, key change
Spojrzystość
average rating: 5.0
Fly Away Song
average rating: 4.5
Hollowed Need
average rating: N/A
Invitation / Man Of Fantasy
average rating: N/A
Jeżeli
average rating: 5.0
25 Holes High
average rating: N/A
Dzien, W Ktorym Spadl Snieg
average rating: N/A

Extended

Band or Group:
Crux, Lu-Li, YCK, VenPhlon, Vincent Moth
Influences:
Meshuggah, Cynic, Aphex Twin, Opeth, Death, Frederick Thordendal's Special Defects, Tesseract, Pantera, Bjork, Monty Python, Mrqe, Daniel Agust, Lu-Li
Favorite Lyric:

Ślepym srebrem zaledwo spojrzyścieje w światy
Srebru śni się, że szumi i polewa kwiaty.

Day Job:
furniture designer
Website:
www.yaseck.com

Working With Others

How I Work:

For now I just would like to meet some people and colaborate with some fantastic musicians.

Experience:

I'm composing since I finished 10 and I play piano since I finished 6...
I made music for theatre plays and radio jingles. I'm working on a musical.
I played and sang in a few bands.

But it's not so important. More important is my music.

Equipment:

Yamaha SY55 keys; Roland U-220 sound module; Event TR-6 monitors; PC with Logic 5.5; Black Knight Violet Design mic; electric guitar; electric bass; accoustic guitar (Aranjues); ESI WaMi Rack 192L soundcard (4in 8out); DOD 512 effect; Nady patchbay; some VSTi

Payments:
This user accepts PayPal for session payment

Comments

Carolina Liechtenstein wrote on September 8, 2008:

Jezeli reminds me of Nico. Very dreamy. I like it a lot.


Austin White wrote on July 13, 2008:

Fly Away is sweet. I also have a song called fly away on my page.


Tony Murphy wrote on July 9, 2008:

New work in progress uploaded. This is a rough sketch recorded to day so that it can be sent for lead solo. A long way from finished, but shows my voice well enough, I think.


Tony Murphy wrote on July 7, 2008:

I'll upload something later. I don't have anything to hand, as my studio is not in my home.


minime c. wrote on July 7, 2008:

Thanks for th fine comment on my page ! I like your demos ! I hope we meet us one day on a Session to create something together !


ANNE & MARTY wrote on June 25, 2008:

i listened to Jeżeli - very good. the music captivated me, and the singer did a beautiful job of carrying the mood. gorgeous strings! anne


Jeff F. wrote on May 13, 2008:

Hi Jacek. I try to expand my vocal sounds and end up sounding like many people. I know David Bowie, but I can't say that I know many other people as for years I have only listened to myself in whatever new vocal direction that I am working on at the moment, over and over. You could say that I am a cultural idiot. It's nice when our endeavers reverberate around the wold. Thanks for you're comments. Lert me know when you have an Idea for a song we could work on together. G'day Jeff


Omri Lahav wrote on May 5, 2008:

Hey man, thx for the add! be in touch, Omri.


Gena Boulay wrote on May 4, 2008:

Hi :) I'm on poemhunter.com under Gena Boulay, and http://www.fictionpress.com/~geneliz is my FictionPress


Qua z mo wrote on April 13, 2008:

Building a great mix starts with organizing how you approach it. To achieve the best mix for hip hop, break down your mix into a specific order of steps as the Pro's do. The following mix methods will help you avoid rushing or losing focus on achieving the best sound: 1) Place priority on mixing the drums & bass first. Achieving a solid drum & bass foundation gives your mix a strong backbone. If you focus on the drums and bass first, the rest of your mix will naturally fall into place. 2) Even though many producers mix the entire instrumental song before adding in the lead and background vocals - it's a big mistake! After you've built the drum and bass mix, move straight into placing your lead vocal tracks into the heart of it. Build a solid mix with these 3 components before adding in your other tracks. 3) After the drums, bass, and vocals are solid, add in your other melodic tracks such as guitar, piano, strings, etc. Leave out any percussion or sound effects at this point. Pan these melodic tracks around the lead vocal, finding a pocket for each addition. Make sure not to compete for the lead vocals attention, but instead support the vocals as complimentary. 4) Save the percussion and sound effects tracks for last. Typically it's wise to pan these last tracks outside your drums, bass, vocal, and melodic tracks. Use your percussion and effects tracks to fill in spaces in the mix that seem unbalanced. By this step your mix should be well shaped and balanced! - 2008-04-13


Mrq E. wrote on June 11, 2007:

Lets Rock!