Jacek Sleszynski
My Songs
This is a song that comes form the Joseph Traynors' musical "The Phantom of The Opera".
- Contribution:
- all excepct lyrics
About Me
- Skill Level:
- Professional
- Craft:
- recording engineer, composer, musician
- Instruments:
- electric guitar, voice (baritone), piano, keyboard, electric bass, nylon guitar (classical)
- Genres:
- rock, jazz, electronic, experimental
Please take a look on my projects:
www.myspace.com/yaseck - CRUX
www.sellaband.com/crux - CRUX
www.jamendo.com/pl/artist/Crux_%283%29/ - CRUX
www.amiestreet.com/artist/10113 - CRUX
www.myspace.com/loveluli - Lu-Li
www.sellaband.com/luli - Lu-Li
www.sellaband.com/vincent-moth - Vincent Moth
www.megatotal.pl/yck - YCK
www.amiestreet.com/artist/10087 - YCK
www.implozja.pl/venphlon - VenPhlon
Extended
- Band or Group:
- Crux, Lu-Li, YCK, VenPhlon, Vincent Moth
- Influences:
- Meshuggah, Cynic, Aphex Twin, Opeth, Death, Frederick Thordendal's Special Defects, Tesseract, Pantera, Bjork, Monty Python, Mrqe, Daniel Agust, Lu-Li
- Favorite Lyric:
Ślepym srebrem zaledwo spojrzyścieje w światy
Srebru śni się, że szumi i polewa kwiaty.
- Day Job:
- furniture designer
- Website:
- www.yaseck.com
Working With Others
- How I Work:
For now I just would like to meet some people and colaborate with some fantastic musicians.
- Experience:
I'm composing since I finished 10 and I play piano since I finished 6...
I made music for theatre plays and radio jingles. I'm working on a musical.
I played and sang in a few bands.But it's not so important. More important is my music.
- Equipment:
Yamaha SY55 keys; Roland U-220 sound module; Event TR-6 monitors; PC with Logic 5.5; Black Knight Violet Design mic; electric guitar; electric bass; accoustic guitar (Aranjues); ESI WaMi Rack 192L soundcard (4in 8out); DOD 512 effect; Nady patchbay; some VSTi
- Payments:
- This user accepts PayPal for session payment
Fly Away is sweet. I also have a song called fly away on my page.
New work in progress uploaded. This is a rough sketch recorded to day so that it can be sent for lead solo. A long way from finished, but shows my voice well enough, I think.
I'll upload something later. I don't have anything to hand, as my studio is not in my home.
Thanks for th fine comment on my page ! I like your demos ! I hope we meet us one day on a Session to create something together !
i listened to Jeżeli - very good. the music captivated me, and the singer did a beautiful job of carrying the mood. gorgeous strings! anne
Hi Jacek. I try to expand my vocal sounds and end up sounding like many people. I know David Bowie, but I can't say that I know many other people as for years I have only listened to myself in whatever new vocal direction that I am working on at the moment, over and over. You could say that I am a cultural idiot. It's nice when our endeavers reverberate around the wold. Thanks for you're comments. Lert me know when you have an Idea for a song we could work on together. G'day Jeff
Hi :) I'm on poemhunter.com under Gena Boulay, and http://www.fictionpress.com/~geneliz is my FictionPress
Building a great mix starts with organizing how you approach it. To achieve the best mix for hip hop, break down your mix into a specific order of steps as the Pro's do. The following mix methods will help you avoid rushing or losing focus on achieving the best sound: 1) Place priority on mixing the drums & bass first. Achieving a solid drum & bass foundation gives your mix a strong backbone. If you focus on the drums and bass first, the rest of your mix will naturally fall into place. 2) Even though many producers mix the entire instrumental song before adding in the lead and background vocals - it's a big mistake! After you've built the drum and bass mix, move straight into placing your lead vocal tracks into the heart of it. Build a solid mix with these 3 components before adding in your other tracks. 3) After the drums, bass, and vocals are solid, add in your other melodic tracks such as guitar, piano, strings, etc. Leave out any percussion or sound effects at this point. Pan these melodic tracks around the lead vocal, finding a pocket for each addition. Make sure not to compete for the lead vocals attention, but instead support the vocals as complimentary. 4) Save the percussion and sound effects tracks for last. Typically it's wise to pan these last tracks outside your drums, bass, vocal, and melodic tracks. Use your percussion and effects tracks to fill in spaces in the mix that seem unbalanced. By this step your mix should be well shaped and balanced! - 2008-04-13











Jezeli reminds me of Nico. Very dreamy. I like it a lot.